Might not help, but still, it couldn't hurt.". Here's a little bit of that. But look, I made you some content. WebBo Burnham's Netflix special "Inside" features 20 new original songs. Soering New insights from various parties come to light that raise questions about Jens Sring's conviction of the 1985 murders of his then-girlfriend's parents. "The poioumenon is calculated to offer opportunities to explore the boundaries of fiction and reality the limits of narrative truth," Fowler wrote in his book "A History of English Literature.". Self-awareness does not absolve anybody of anything.". Inside takes topics discussed academically, analytically, and delivers them to a new audience through the form of a comedy special by a widely beloved performer. TikTok creator @TheWoodMother made a video about how Burnham's "Inside" is its own poioumenon thanks to the meta scenes of Burnham setting up lights and cameras, not to mention the musical numbers like "Content" and "Comedy" that all help to tell the story of Burnham making this new special. Might not help but still it couldn't hurt. It's just Burnham, his room, the depressive-sound of his song, and us watching as his distorted voice tries to convince us to join him in that darkness. The penultimate song, "All Eyes On Me," is the best in the whole special, in this writer's opinion. The song made such a splash in its insight that it earned its own episode in Shannon Struccis seminal Fake Friends documentary series, which broke down what parasocial relationships are and how they work. [1] Created in the guest house of Burnham's Los Angeles home during the COVID-19 pandemic without a crew or audience, it was released on Netflix on May 30, 2021. Maybe we'll call it isolation theater. The clean, tidy interior that first connected "Inside" with "Make Happy" is gone in its place is a mess-riddled space. And then the funniest thing happened.". At the start of the special, Burnham sings "Content," setting the stage for his musical-comedy. That cloud scene was projected onto Burnham during the section of "Comedy" when Burnham stood up right after the God-like voice had given him his directive to "heal the world with comedy." Research and analysis of parasocial relationships usually revolves around genres of performers instead of individuals. Burnham's growth is admirable, but also revealing of how little we expect from men in the industry. Next in his special, Burnham performs a sketch song about being an unpaid intern, and then says he's going to do a "reaction" video to the song in classic YouTube format. (For example, the song "Straight, White, Male" from the "Make Happy" special). For all the ways Burnham had been desperate to leave the confines of his studio, now that he's able to go back out into the world (and onto a real stage), he's terrified. See our full breakdown of every detail and reference you might have missed in "Inside" here. And many people will probably remember his 2018 movie, "Eighth Grade." I have a funky memory and I sometimes can't remember things from something I've watched, even if it was just yesterday. In his first Netflix special (2013's "what. I feel very close and intimate with him in this version. A series of eerie events thrusts an unlikely trio (John Boyega, Jamie Foxx and Teyonah Parris) onto the trail of a nefarious government conspiracy. When Burnham's character decides he doesn't want to actually hear criticism from Socko, he threatens to remove him, prompting Socko's subservience once again, because "that's how the world works.". The piece also highlights Bos anxieties with becoming older and his legacy as a comedian. Were complicated. And finally today, like many of us, writer, comedian and filmmaker Bo Burnham found himself isolated for much of last year - home alone, growing a beard, trying his best to stay sane. Trying to grant his dying father's wish, a son discovers an epic love story buried in his family's distant past. In one interpretation, maybe the smile means he's ready to be outside again. WebBo Burnham is more than a comedian he's a writer-director-actor who first went viral in 2006. His 2014 song Repeat Stuff and its music video parodies how boy bands and other corporately-owned pop stars prey on young fans desire to feel loved by writing songs with lyrics vague enough anyone can feel like it was written specifically about them. Finally doing basic care tasks for yourself like eating breakfast and starting work in the morning. But then the music tells the audience that "he meant to play the track again" and that "art's still a lie, nothing's still real.". And so I think he's always had that stubborn insistence on holding both of those things in his head at the same time. An older Burnham sits at a stool in front of a clock, and he says into a microphone that he's been working on the special for six months now. And you know what? Burnham's earlier Netflix specials and comedy albums. The song's melody is oddly soothing, and the lyrics are a sly manifestation of the way depression convinces you to stay in its abyss ("It's almost over, it's just begun. So let's dive into "Inside" and take a closer look at nearly every song and sketch in Burnham's special. I'm talking to you, get the f--- up.". It's a heartbreaking chiding coming from his own distorted voice, as if he's shaming himself for sinking back into that mental state. A gift shop at the gun range, a mass shooting at the mall. But also, it's clear that there's a lot on his mind. I mean, honestly, he's saying a lot right there. It's a reprieve of the lyrics Burnham sang earlier in the special when he was reminiscing about being a kid stuck in his room. Exploring mental health decline over 2020, the constant challenges our world faces, and the struggles of life itself, Bo Burnham creates a wonderful masterpiece to explain each of these, both from general view and personal experience. WebStuck in a passionless marriage, a journalist must choose between her distant but loving husband and a younger ex-boyfriend who has reentered her life. BURNHAM: (Singing) The live-action "Lion King," the Pepsi halftime show, 20,000 years of this, seven more to go. Using cinematic tools other comics overlook, the star (who is also the director, editor and cameraman) trains a glaring spotlight on internet life mid-pandemic. our ranking of all 20 original songs from the special here. He is leaving it to speak for itself in terms of what it says about isolation and sadness. Now we've come full circle from the start of the special, when Burnham sang about how he's been depressed and decided to try just getting up, sitting down, and going back to work. Throughout the song and its accompanying visuals, Burnham is highlighting the "girlboss" aesthetic of many white women's Instagram accounts. The song begins with a fade in from back, the shot painfully close to Burnhams face as he looks off to the side. Then he moves into a new layer of reaction, where he responds to that previous comment. Its easy to see Unpaid Intern as one scene and the reaction videos as another, but in the lens of parasocial relationships, digital media, and workers rights, the song and the reactions work as an analysis for another sort of labor exploitation: content creation. In Unpaid Intern, Burnham sings about how deeply unethical the position is to the workers in a pastiche of other labor-focused blues. "If greenhouse gas emissions continue at their current rate, then when the clock runs out, the average global temperature will be irreversibly on its way to 2.7 degrees Fahrenheit above pre-industrial levels.". The clearest inspiration is Merle Traviss 16 Tons, a song about the unethical working conditions of coal miners also used in weird Tom Hanks film Joe vs. Went out to look for a reason to hide again. He's freely admitting that self-awareness isn't enough while also clearly unable to move away from that self-aware comedic space he so brilliantly holds. Burnhams online success and an awareness of what kind of his audiences perceived closeness made the comedian key to one of the most prominent discussions in a creator- and influencer-driven era of media: the idea of parasocial relationships. His hair and beard were shorter, and he was full of inspired energy. When we saw that projection the first time, Burnham's room was clean and orderly. In recent years, he has begun directing other comics specials, staging stand-up sets by Chris Rock and Jerrod Carmichael with his signature extreme close-ups. Likewise, the finale of Burnhams next special, Make Happy (2016) closes in a song called Handle This (Kanye Rant). The song starts as him venting his hyperbolically small problems, until the tone shifts, and he starts directly addressing the audience, singing: The truth is, my biggest problem is you / [. All rights reserved. And they're biting, but he's also very talented at these little catchy pop hooks. But the cultural standards of what is appropriate comedy and also the inner standards of my own mind have changed rapidly since I was 16. He's self-evaluating his own visual creation in the same way people will often go back to look at their Instagram stories or posts to see how it looks after they've shared it. Got it? Still terrified of that spotlight? Im talking to you. Unpaid Intern isnt just about unpaid internships; when your livelihood as an artist depends on your perceived closeness with each individual fan, fetching a coffee becomes telling someone theyre valid when they vent to you like they would a friend (or a therapist). The label of parasocial relationship is meant to be neutral, being as natural and normal and, frankly, inescapable as familial or platonic relationships. Because there's also a little bit Bo Burnham the character in this almost. Burnham's career as a young, white, male comedian has often felt distinct from his peers because of the amount of public self-reflection and acknowledgment of his own privileges that he does on stage and off screen. Not a comedy per se, but a masterpiece nonetheless. HOLMES: Thank you. A college student navigates life and school while dealing with a unique predicament he's living with a beautiful former K-pop sensation. He doesn't really bother with any kind of transitions. Remember how Burnham's older, more-bearded self popped up at the beginning of "Inside" when we were watching footage of him setting up the cameras and lighting? WebBo Burnham: Inside is by far one of the riskiest and original comedy specials to come out in years. Now, you heard me struggling to describe what this is, so help me out.
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bo burnham: inside transcript